European artist, living in Brazil, recalled the origins of these techniques among Italian Renaissance artist and praised the virtues of these variants of moderate energy consumption and optimal performance, in which knowledge of physics and other scientific disciplines in merged with the most refined art.
He also praised the coordination established with the City Curator’s Office and process to give classes in luminography and develop develop that kind of decoration with lights in other buildings of the city.
He praised the intellectual qualities of Santiago citizens to apprehend these novelties and was fascinated by the idiosyncrasies of the second Cuban city.
